![]() How does the price compare to old-fashioned brands? What are the ingredients of Earth Breeze Laundry Detergent Eco Sheets?Īre Earth Breeze Laundry Detergent Eco Sheets safe for septic and greywater? Can I use the Earth Breeze Power Pebbles?Įarth Breeze Refillable Foaming Hand Soap Questions What if I get Earth Breeze Power Pebbles in my eyes or I swallow one? How do I use the Earth Breeze Power Pebbles? How many Earth Breeze Power Pebbles do I add to my dishwasher? Why didn't my Earth Breeze Power Pebble clean my dishes?ĭo I need to add anything to my dishwasher with the Earth Breeze Power Pebbles? My Earth Breeze Power Pebble didn't dissolve, can I use it again? What is the packaging for Earth Breeze Power Pebbles made from?Īre Earth Breeze Power Pebbles safe for my skin? What are the Ingredients of Earth Breeze Power Pebbles? Is there an enzyme in Earth Breeze Power Pebbles Dishwashing Tablets?Īre the Earth Breeze Power Pebbles an all-in-one detergent?Īre the Earth Breeze Power Pebbles antibacterial?ĭo I need to pre-rinse my dishes when using Earth Breeze Power Pebbles? What are the Earth Breeze Power Pebbles used for? He was the founding creative director of Atlanta Art Now and producer of its landmark volume, i.What is the film coating my Earth Breeze Power Pebbles?Īre the Earth Breeze Power Pebbles Dishwashing Tablets safe for my septic system? He has served as senior contributing editor of the International Review of African American Art and as interim editor-in-chief of Art Papers. They provide a “wait, what was that?” moment as an unfamiliar image flashes across a screen and the creative voice rings out.Ĭinqué Hicks is a Warhol grant-winning art critic and writer who has written for Public Art Review, Art in America,, Artvoices and other national and international publications. ![]() But for the alert viewer, they may be enough to punch a small hole in the thrum of daily existence. Rounding out the theme, Bojana Ginn’s “Plastic Gene” (2022) sculptures explore the use of organic and synthetic polymers in abstract forms, and Kevin Beasley’s micro-documentary, “Bulk Amnesty” (2023), puts a spotlight on East Point garbage collectors as they retrieve the bulk refuse shunted off by residents.Īt mostly under 30 seconds, the videos in “Extension of Nature” are too short to expect the kind of space required for extended contemplation. Longobardi imbues the artifacts with a timeless beauty, even as they signal disaster for the Earth. The video closes with a rapid-fire montage of worn and discarded plastic trinkets retrieved from the sea: scarcely identifiable items such as combs or a spatula that have taken on the patina of an archaeological find. ![]() In “Drifter’s Project Sites” (2008-2013), Longobardi reveals the process of dredging plastics out of the ocean through documentary film stills. In a stunning feat of digital trompe l’oeil - or highly realistic optical illusion - a rusted, disused cellphone tower appears to sway from within the building before being reclaimed by a relentless growth of vegetation. “Prana” by Daniel Phelps (2023) engages movement by seeming to animate an entire segment of the north-facing facade of the hotel. The Reverb by Hard Rock hotel, at 89 Centennial Olympic Park Drive NW, houses the “imaginary environments” theme. According to Person, the flight is tied to notions of memory, global movement and diaspora. You can imagine pollen spores, thistles, seeds and all manner of contingent life taking flight in a moment. Iman Person’s “New Air” (2021) presents unassuming globes of wild, weedy plants in a desert, blowing stiffly in a breeze. Rotoscoped from a 1950s Monsanto Chemical ad in flat, bright colors, they both are alluring and slightly uncanny. Mark Leibert’s “Bloom” (2005) similarly casts blooming flowers. It’s as if an abused Earth has risen to seek revenge. The color combinations - purple, green, blue, fuchsia - are heightened and appear both seductive and dangerous. Credit: Courtesy of Arts & Entertainment Atlanta
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