Like “Static,” “Skin” returns to an earlier theme in the finale, improvisation transformed into composition, an aural illusion we’re happy to accept. After this, a period of abstraction topples smoothly into melody, proving that often only a fine line exists between the accessible and the avant-garde. My Words Recents Settings Log Out Games & Quizzes Thesaurus Features Word Finder Word of the Day. a circumstance especially that is due to chance See the full definition Hello, Username. In response, Cooper finds his groove, seeming to enter a trance mid-piece in which he gives in to the rhythm and allows his notes to flow as freely as the hands and sticks on the drums. The meaning of HAPPENSTANCE is a circumstance especially that is due to chance. The sense of fun is contagious if these musicians were outside, one would stop to hear them, because there is nothing more appealing than ebullience. But then ~ BOOM! A period of harder drums and handclaps is met by sounds from inside the mouth, a theme that will also close the release. While there’s no telling which musician is which, the styles are intensely different the third minute is particularly subdued. The side begins with an explosion of percussive joy, and after that, the impression is that each player is patiently waiting their turn. Three percussionists are part of the picture, and in “Skins,” they get their due. “Static” turns next to ambience before returning to double bass and piano. The uncredited birds are as much a part of the soundscape as the umtshingo, umrhubhe and nyunga-nyunga. Each segue is akin to a breath, one of the loveliest including arriving in the center of the piece as the music dissolves into the rain forest. One pictures Cooper at the reel-to-reel, experimenting with what comes next. While there are pauses between movements, there are few silences. At 5:15, Daliwonga Tshangela’s cello erupts in a catchy segment whose superhero qualities seem foreordained. Cooper then took the bounty to the assembly room, where he created “tiny ecosystems of sound.” When one hears the flute, one isn’t hearing someone cuing the flutist to play the music is already there, waiting for its seat to be assigned. The album began in composition and improvisation sessions, captured on reel-to-reel. But the method of arrangement is hidden in the liner notes. His collaborators share the spotlight in such a manner as to seem like a band. One of Cooper’s strengths is his humility he never dominates the sonic field. “Static” begins with Bokani Dyer’s piano, but only seconds pass before that double bass sets in. We recommend the continuous listening experience to preserve the flow and indicate just how easily one style can segue into another. Billed as “South African jazz meets musique-concrète,” the album dances through fifteen “radio edits” in two twenty minute sides. When double bassist Shane Cooper recruited a variety of friends to participate in his new album, the collaborations were no Happenstance the title applies more to the remarkable variety of music that results from the juxtaposition.
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